You won’t find much if you search the Web for “the crash of the sun.”
Some of what you do find is less than palatable, unless you’re into the ambient/electronica/experimental music of the Italian band SBPS2. Down at the tail end of the nine Google results, you’ll find a link to Volume 23 of Estonian Folklore.
Estonia is a curious country. Snuggled up against Russia — if one can place such a cuddly word so near to that totalitarian nightmare — with a frozen coastline on the Gulf of Finland, the country has been fought over by Poland, Germany, Denmark, Germany, Russia and Sweden. In the 1400’s it was part of Livonia, and despite the Christianization of the pagans the country still has its own curious identity.
In 1639, the characters from my novel travel by ship from Reval (present-day Tallinn) to Riga, and are forced to land on the island of Saaremaa to make repairs.
Ulf looked around at the crew members sleeping on the dry sand around him. Others had been sent for construction materials, food and water. From the west, borne on the soft wind, he could hear the bark of seals and the cries of birds. Master Jens turned the carcass of the dead bird over the open fire and continued the telling — the endless telling — of yet another boring story from the dying past.
“The island settlements to the east are ancient, and the place was known to the vikings as Eysysla. Eirik – a bastard son of the Norsk King Haakon Sigurdsson – invaded here 600 years ago, killing everyone he found and taking Danish ships as his own. But today it is a haven for healers. They say massive stones fall here from the sky, trailing fire and bringing magic elements. Don’t be surprised if witches appear to you out of thin air. And whatever they ask of you, don’t do it.”
Ulf wished the old man would just shut up.
As you can see, I am not Ulf. The story of the meteorite is real, and it fascinates me — as do the other stories that Master Jens tells. Volume 23 of Estonian Folklore tells what really happened.
The Kaali meteorite crash is the kind of unique and astounding event that must have become a topic of storytelling and singing for many generations afterward. As mentioned above, it evidently occurred around 2000 BC, on Saaremaa Island in the Baltic Sea. As recent scientific studies have established (Tiirmaa 1994), a meteorite of iron streaked from east to west over the Estonian mainland, broke apart as a result of atmospheric friction, and hit the island in at least 9 places, leaving craters that can be seen to this day.
Tiirmaa (1994: 63) likens the event to a small nuclear explosion (minus radioactivity). … the amount of energy needed to form the main crater was equivalent to 1-4 kilotons (1–4 million kg or 2–8 million pounds) of TNT explosive. The largest fragment hit the ground and exploded with enough energy to create a crater 110 m in diameter, 22 m deep, with a rim 4–7 m above the ground.
It is hard to imagine what went on in the minds of the humans who saw flaming chunks of the sky fall to earth, heard the sonic boom of the streaking fragments and the ear-splitting crash, felt the ground shudder beneath their feet, and were engulfed by a great cloud of dust and ash. Trees, animals, and dwellings within a radius of 2–5 km from the site would have been destroyed, a forest fire would have been ignited, and the survivors would have had to run for their lives to avoid asphyxiation from the vaporized and pulverized matter and gases. This may have been the greatest meteorite impact ever in a populated area. It was truly a fearsome and spectacular event, more than enough to alter existing world-views and to inspire new tales and songs.
The long-tailed fireball would have been brighter than the sun, visible not just on Saaremaa but as far as 700 km (450 miles) away (Meri 1984: 55; Tiirmaa 1994: 65). Included in the area of direct observability are much of southern Finland and Karelia, the Novgorod area of Russia, the Polish coast, and lower Sweden.
At the end of the dissertation comes a song. The Kaali Meteorite Song. “Each song line is to be sung first by the lead singer [storyteller], and repeated by the chorus [listeners].”
Narrator: The night was dark. The sky-god Ukko decided to shed more light on earth.
Ukko struck to make a fire,
Struck a white-hot lightning fire.
From his flaming sword he struck it,
As the sparks did fly and sputter;
Fire hit against his fingers,
Sputtered sparks from sacred fingers,
High above aloft in heaven,
On the starry plains of heaven.
Narrator: He entrusted the care of the fire to the maid of air, for her to form and shape.
Into a new moon to form it,
Into a new day to shape it.
Narrator: But this did not turn out well.
Imbi rocked the baby fire,
Back and forth the little white one.
On her hands she held the fire,
Put the spark up on her fingers:
Fire fell from butterfingers
From the fingers of the guardian.
Narrator: The catastrophe followed
Heaven torn and lacerated,
Skyvault became perforated;
Fire tore through sky like blizzard,
Sped and crashed along the cloudline,
Through nine heavens it descended,
Through six spangled vaults of heaven.
Evil deeds it then accomplished,
Cruel deeds it perpetrated:
Burning up the daughters’ bosoms,
Tearing at the breasts of maidens,
And the knees of boys destroying,
And the master’s beard consuming.
And of all its deeds most evil:
Burned the baby in his cradle.
Went on burning many uplands,
Many uplands, many boglands,
Crashed at last into the water,
In the waves of Lake Alue:
And the fire rose up flaming,
And the sparks a rose all crackling.
Three times in a night of summer,
Nine times in a night of autumn,
Roared up to the height of spruce trees,
Sprang up high against the shorebanks
With the strength of furious fire,
With the might of angry white heat.
Even threw the fish on dry land,
Heaved the perch across the beaches.